The first on screen depiction of Dracula occurs in F. W. Murnau’s horror classic Nosferatu! Real estate agent Jonathan Harker (Wangenheim), travels to Transylvania to visit a new client, Count Dracula (Schreck). Although the locals warn Harker away from Dracula's castle, the agent pursues the sale. Staying overnight, Harker feels an odd darkness in this castle, where the Count is oddly asleep during the daytime. After reading a book about vampires, Harker begins to suspect that the Count is really Nosferatu. Meanwhile, Dracula hides in a shipment of coffins and arrives in Wisbourg, Germany, to take ownership of his new home, across the way from Harker's home. As locals mysteriously die, town doctors diagnose a plague...but Harker suspects a more nefarious cause. He races home to save his town and most importantly save his wife, Nina (Schröder). New score composed and performed by pianist Keith Taylor.
Not sure about the Reel Vault version. I know Kino supposedly has the best quality Blu-ray version of the ever done.
Not sure about the Reel Vault version.
Eureka's UK Masters Of Cinema Blu-Ray release is the best quality wise (though region locked to B):
You (and that article) talked me into it! Just ordered from amazon.
Which version are you getting, Mike? (I don't have a region-free player.)
Eh, Kino's release is cropped a bit (especially for the English version) and also uses some DNR: https://www.brentonfilm.com/nosferatu-unleashed-in-hd-every-blu-ray-reviewed#do-not-buy-kino-blu-rayEureka's UK Masters Of Cinema Blu-Ray release is the best quality wise (though region locked to B): https://www.amazon.co.uk/Nosferatu-Blu-ray/dp/B00EQ27RMM
While the Kino disc uses a great deal of inappropriate tinting in garish shades of green, peach, and yellow, Reel Vault's applies the tint more conservatively and realistically. Most of the film plays in black and white with a bluish-white apparent in Murnau's brightly lit "evening" scenes and a more sepia tone in several daylight ones. Deep color is rarely used at all (a close up of a Venus flytrap is tinted green). Perhaps in a few instances, a bit more creativity would have been welcome, such as a bit of pale yellow or pink during the big sunrise finale instead of straight black and white, but overall, the lighter touch of Reel Vault's tinting preserves the über-Goth atmosphere much better than Kino's candy palette.
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